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By Louise Noëlle Malclés

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Avid Symphony contains an extremely sophisticated array of color-correction tools designed to easily handle even the most meticulous color-correction scenario. Among the tools is the Color Match control that allows the operator to select the color to be matched as the reference image and then apply it to the current scene’s color to be changed. Using this method, the other colors are changed proportionately in order to ensure a natural correction. Within the Color Match control is also the NaturalMatchTM control, which works basically the same way as the Color Match control, with the exception that it replaces the hue values while retaining the image’s saturation and luminance values.

54 Video Color Correction for Nonlinear Editors Image 4-25 A Gradation created with the Color Grad tool within the 55 mm plug-in. Image 4-26 55 mm’s defocus tool applied to the image. Defocus This is a fully functional defocus tool, which allows the operator to customize defocus effects that can be added to the image.

This ensures that no values are clipped by compressing the settings between the Threshold and Clamp Above adjustment controls. • Start (Threshold). This defines the point at which either the saturation or luminance information will start to be compressed, depending on whether the Luminance-Limiting or Saturation-Limiting control is being adjusted. • Reduce Chroma/Luma. This adjustment control will produce a specified reduction in chroma. Chapter 4 • The Color-Correction Tools 43 Image 4-14 The Broadcast Safe filter display.

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Bibliography by Louise Noëlle Malclés

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